Best selling Audio effects from RME Audio
On this page you’ll find a ranking of the best Audio effects from RME Audio. To give you a quick overview, we’ve added the most important product details. This page always stays fresh and updates automatically.
1. RME Audio M-32 AD Pro II
The M-32 Pro II series has been designed to meet the demanding requirements of professional studios, immersive sound installations, live sound systems, and industrial applications that require a reliable analog converter solution with high-end network audio processing. These new converters are available with either 32 analog inputs or outputs and AVB for a selection of four different models. With up to 32 channels, full MADI I/O, improved specifications with extremely low distortion, intelligent channel routing, and innovative user-friendliness, the new M-32 Pro II series represents the latest state-of-the-art for exceptional audio performance. The M-32 AD Pro II features two MADI I/Os with separate signal routing, along with an AVB interface based on the open network standards IEEE 802.1 and 1722.1, allowing the transmission of 32 analog channels at sampling rates of up to 192 kHz over a single Ethernet cable. In conjunction with external AVB switches, the new M-series converters can be quickly, easily, and reliably integrated into more complex network structures thanks to the extensive time-synchronized signal processing of the AVB protocol. The AVB models send and receive up to 128 channels at 48 kHz (96 @ 96 kHz, 64 @ 192 kHz) and are fully controllable and configurable via ATDECC (IEEE 1722.1). This enables seamless integration into deterministic AVB networks. RME offers an AVB device with two fully redundant network ports, based on MILAN recommendations. The RME AVB-Core consistently implements IEEE standards for audio streaming, discovery, and control, allowing RME devices to be recognized and fully controlled by any AVB controller, making manufacturer-specific control protocols a thing of the past.
2. RME Audio M-16 Da
RME's M-16 DA is a 16-channel high-end DA converter with user-friendly operation and comprehensive features. The device combines excellent analog circuitry with outstanding next-generation AD converters, providing DA conversion at the highest level—16 times over! The M series offers an unmatched flexible foundation for implementing multichannel setups in professional studios, on stage, and in the broadcast sector. Digital/Analog conversion for 16, 32, 48, and 64 channels is possible through combinations of the M-32 DA and M-16 DA, tailored to application needs and budget constraints. Three hardware reference levels up to +24 dBu, MADI I/O, and ADAT input with up to 192 kHz, outputs via 6.3 mm jacks and D-Sub, remote control via MIDI, operation over a wide mains voltage range, and a compact 2U high chassis make this device unique. The M-16 DA expands RME's MADI line with exceptionally affordable multichannel conversion at reference level!
Highlights: 16-channel DA converter, dual balanced output, 118 dBA, only two rack units high 19" chassis, 1 x MADI I/O, 16 channels @ 96 kHz, 8 channels @ 192 kHz, 4 x ADAT In, 8 channels @ 96 kHz, 4 channels @ 192 kHz, Zero-Delay MADI I/O enables cascading without delay compensation, noise suppression on analog outputs when powering on and off the device, 16 LED level meters with 6 LEDs each, SteadyClock, digital hybrid clock for optimal sound, SyncCheck, unique technology for checking clock synchronization, permanent storage of all settings, fully remote controllable via MIDI and MIDI over MADI.
Connectivity M-16 DA: 16 x Analog Out, 1 x MADI I/O (optical and coaxial), 4 x ADAT In (TOSLINK), MIDI I/O (5-pin DIN), Wordclock I/O (BNC).
3. RME Audio M-32 DA Pro II
The M-32 Pro II series is designed to meet the demanding requirements of professional studios, immersive sound installations, live sound systems and industrial applications that require a reliable analogue converter solution with high-end network audio processing. These new converters are available with either 32 analogue inputs or outputs and AVB for a choice of four different models. With up to 32 channels, full MADI I/O, improved specifications with ultra-low distortion, intelligent channel routing and innovative ease of use, the new M-32 Pro II series represents the state of the art in exceptional audio performance.In addition to two MADI I/Os including separate signal routing, the M-32 DA Pro II features an AVB interface based on the open network standards IEEE 802.1 and 1722.1, which enables the transmission of 32 analogue channels with up to 192 kHz sampling rate via a single Ethernet cable. In conjunction with external AVB switches, the new M-Series converters can be quickly, easily and reliably integrated into more complex network structures thanks to the extensive time-synchronised signal processing of the AVB protocol. The AVB models transmit and receive up to 128 channels at 48 kHz (96 @ 96kHz, 64 @ 192k- Hz) and are fully controllable and configurable via ATDECC (IEEE 1722.1). This enables seamless integration into deterministic AVB networks.RME offers an AVB device with two fully redundant network ports, based on MILAN™ recommendations. The RME AVB-Core consistently implements the IEEE standards for audio streaming, discovery and control, so that RME devices can be both recognised and fully controlled by any AVB controller and manufacturer-specific control protocols are a thing of the past.
4. RME Audio M-32 Ad
RME's M-32 AD is a 32-channel high-end AD converter with user-friendly operation and comprehensive features. The device combines excellent analog circuit technology with outstanding next-generation AD converters, providing top-level AD conversion - 32 times! It includes analog limiters, three hardware reference levels up to +24 dBu, MADI I/O, and ADAT I/O with up to 192 kHz, inputs via 6.3 mm jacks and D-Sub, remote control via MIDI, operation across a wide mains voltage range, and a compact 2U high chassis, making it unique.
Designed and optimized for professional use in broadcasting, studios, and on stage, it also features an exceptional limiter that can reduce analog input overload by up to 17 dB without audible distortion (maximum input level +30 dBu). The M-32 AD offers multi-channel conversion at reference level - with an unmatched price-performance ratio!
Highlights include: 32-channel AD converter, fully balanced design, 116 dBA, only 2U high 19" chassis, 1 x MADI I/O, 32 channels @ 96 kHz, 16 channels @ 192 kHz, 4 x ADAT Out, 16 channels @ 96 kHz, 8 channels @ 192 kHz, zero-delay MADI I/O allows cascading without delay compensation, switchable analog limiters, 32 LED level meters with 5 LEDs each, channel-wise display of limiter status via 32 LEDs, SteadyClock, digital hybrid clock for optimal sound, SyncCheck, unique technology for checking clock synchronization, storage of all settings, fully remote controllable via MIDI and MIDI over MADI.
Connectivity M-32 AD: 32 x Analog In, M-16 AD: 16 x Analog In, 1 x MADI I/O (optical and coaxial), 4 x ADAT Out (TOSLINK), 1 x ADAT In (for synchronization only), MIDI I/O (5-pin DIN), Wordclock I/O (BNC).
5. RME Audio Micstasy
The Micstasy from RME Audio is a highly advanced 8-channel microphone and line preamplifier as well as AD converter device designed for professional audio applications. With its outstanding sound quality and versatile applications, the Micstasy is ideal for recording studios and live events. The device offers both analog and digital signal processing, allowing for seamless integration into various audio setups. The MIDI remote control, including the ability to control MIDI over MADI, highlights the flexibility of the Micstasy. It supports a wide range of signal sources, from high-level stage signals to sensitive microphones, ensuring impressive sound fidelity. The advanced circuit technology and nearly noiseless gain adjustment make the Micstasy a top choice for audio professionals who demand the highest standards from their equipment.
- 8 balanced XLR mic/line inputs with 85 dB gain range
- Nearly noiseless gain adjustment in 0.5 dB steps
- Frequency range up to 200 kHz with special HF filtering
- 4 x AES/EBU outputs with 192 kHz support
- MIDI remote control, including MIDI over MADI.
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