Best selling Audio interfaces from RME Audio
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1. RME Audio Babyface Pro FS
The RME Audio Babyface Pro FS is a state-of-the-art audio interface designed for professional applications in music production and audio technology. With 24 channels, including 12 input and 12 output channels, it offers a variety of connectivity options, including analog inputs and outputs as well as digital interfaces like ADAT and SPDIF. The aluminum block construction not only provides an appealing look but also ensures high stability and durability. The innovative technology enables outstanding sound quality that makes no compromises even in demanding applications. The integrated microphone preamps offer high gain and are equipped with digital control, allowing precise adjustment of phantom power. The Babyface Pro FS is therefore ideal for musicians, sound engineers, and producers who value the highest audio quality and flexibility.
- 24 channels with 12 input and 12 output channels
- High-quality analog and digital circuitry for excellent sound quality
- Digital control of phantom power for microphone inputs
- Independent amplifier stages for headphone outputs, suitable for various impedances
- Compact and robust aluminum construction for maximum mobility and durability.
What our customers think
Pro
- Robust (aluminium)
- Quickly set up
- Familiar quality
2. RME Audio Fireface UCX II
The Fireface UCX II is a highly integrated pro-audio solution in an ultra-compact format for studio and live use. With up to 20 recording and 20 playback channels, SteadyClock FS, powerful microphone inputs, integrated parametric EQ, USB Direct Recording, and full stand-alone functionality, the brand new Fireface UCX II embodies the essence of freedom, flexibility, and passion.
No other audio interface currently offers more connectivity and functionality in a half-rack format. Connection options: 20 Inputs / 20 Outputs, 8 x Analog I/O, 2 x Mic/Line Preamps (digitally controllable), 2 x Line / Instrument Inputs (digitally controllable), AES/EBU and SPDIF I/O, ADAT I/O, Wordclock I/O (switchable), MIDI I/O, USB 2.0 (USB 3 compatible).
What our customers think
Pro
- RME-typical product maintenance with regular updates for firmware and drivers
- Support, Software
- Drivers are mega
3. RME Audio Fireface UFX III
188-channel, 24-bit/192kHz high-end USB 3 audio interface. The Fireface UFX III is the centerpiece of any multitrack studio and can effortlessly manage up to 94 channels I/O. Its unparalleled flexibility, compatibility, the integration of DURec (Direct USB Recording), and RME's renowned low-latency hardware and driver design ensure flawless operation in any mode and application.
Packed with professional features such as SteadyClock FS, MADI I/O (64 channels), a powerful DSP, USB 3.0 (fully 94 channel I/O Class Compliant Ready), TotalMix FX, Direct USB Recording, and support for the separately available Advanced Remote Control USB, the Fireface UFX III is the preferred tool for professional multitrack recording, mixing, and mastering.
4. RME Audio Hdspe Madi
The HDSPe MADI is RME's both inexpensive and outstanding PCI Express card with MADI interface. HDSPe MADI is based on the award-winning HDSP MADI card, and represents the new top model of this world-wide successful card line.
The PCI Express card consequently uses all advantages of the MADI format, the professionals' multi-Channel audio interface, offering 64 channels of 24-bit audio at a sample rate of up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz. Transmission is done via a single line, either coaxial with BNC plugs or by fiber cable. In both cases more than 100 m cable length can be achieved.
Compared with the HDSP MADI (Standard PCI version), the express card offers some new features: Support of higher sample rates than 96 kHz, more features in TotalMix (phase and internal loopback per channel, +6 dB gain for the hardware outputs), and the direct support of the Time Code Option. HDSPe MADI provides even lower latencies, making the card the perfect partner for live recording and live mixing applications. The analog monitor output is equipped with the low-latency converter technology of the ADI-8 QS, thus guaranteeing stunning SNR and THD values too.
HDSPe MADI is fully compatible to all devices with MADI interface. In combination with the ADI-648 an 8 x ADAT optical PC interface is realized, unbeatable in price and performance. With the ADI-6432 a bidirectional AES/EBU frontend with 64 channels is available.
On a powerful PC/Mac three HDSPe MADI can be used in a combination, providing 192 inputs and 192 outputs on a single workstation simultaneously.
5. RME Audio HDSPe AoX-M
The HDSPe AoX-M from RME Audio is a highly advanced PCI Express audio interface card specifically designed for professional applications in audio production. With the ability to send and receive up to 512 audio channels through two separate RJ45 connectors, this interface offers remarkable flexibility and performance. It is suitable for use in Thunderbolt expansion enclosures as well as for integration into digital audio workstations or audio processors. The card supports MADI signals and allows for expansion through optional dual-optical or dual-coaxial expansion cards, significantly increasing the number of MADI inputs and outputs. Additionally, the HDSPe AoX-M features a headphone output, AES3 stereo I/O, and MIDI connections accessible via a breakout cable. These features make it a comprehensive solution for demanding audio applications.
- 512 audio channels via two RJ45 connectors
- Expandable with up to four MADI ports
- Headphone output for flexible monitoring
- AES3 stereo I/O for digital signal processing
- MIDI connections via breakout cable.
6. RME Audio RME Fireface 802 FS AE
The new model impresses with its elegant dark design, inspired by the successful ADI-2 series. The Fireface 802 FS AE is technically identical to the Fireface 802 FS and offers the same powerful features and functions, including 60 audio channels, high-end microphone preamps, reference-class converters, a complete electronics section, and operation at up to 192 kHz. Active jitter suppression with SteadyClock FS, DC-coupled outputs for all eight analog line outputs, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, the metering and analysis toolbox DigiCheck, as well as identical operation on Windows PC and Mac complete the package. The feature set also includes the optional Class-Compliant mode (full 30-channel I/O at up to 192 kHz) and operation with TotalMix FX for iPad. RME's app for complete control of the Fireface 802 FS AE from the iPad allows full control of the device - entirely without a computer. The alternative CC mode can be easily activated via a recessed button on the back of the interface. Control of TotalMix FX, including the latest Room EQ function, is now also possible - thanks to the USB-A port for direct connection of the optionally available ARC USB or ARC USB (Black Edition).
7. RME Audio Rme Madi-Sfp-Mm
The SFP module expands compatible RME devices with an optical SFP transceiver. Up to 64 audio channels can then be sent to and received from other MADI devices. The module is available in both a multi-mode and a single-mode variant, clearly marked on the module (as MM and SM) and the packaging. Since the light transmission and required cabling differ, multi-mode modules can only be reliably used with other multi-mode MADI devices. The same applies to single-mode, which is less common in MADI systems. The SFP module accepts fiber optic cables with LC (Lucent Connector). Since most MADI devices require SC (Square Connectors), this module comes with an adapter cable and SC-SC coupler. This allows the use of existing MADI cables. SFP module multi-mode max. cable length (OM-1) is 2 km, LC duplex with SC adapter. The SFP module box includes: 1 x SFP module with LC connector, 1 x 2 m fiber optic cable, 1 x SC (female) to SC (female) connector. The SFP module can be used in the following RME devices: RME 12Mic, RME AVB-Tool, RME M-1610 Pro.
8. RME Audio RME 12Mic-D
The RME 12Mic-D is a remote-controlled 12-channel microphone preamplifier that offers uncompromising A/D conversion, integrated Dante, ADAT, and MADI connectivity, as well as a variety of features that make it an ideal companion for professional recordings.
The connections and features include a headphone output, four XLR/TRS microphone/instrument/line inputs, eight XLR microphone/line inputs, redundant power supplies, Word Clock I/O, coaxial MADI I/O, three ADAT outputs, optional optical MADI SFP, two Gigabit Ethernet ports (802.3 compliant), and USB for firmware updates and remote control.
The 12Mic-D introduces a new core technology. In response to the evolving landscape of network audio solutions, the RME development team has designed a powerful device platform that ensures unmatched flexibility and stability for years to come. Everything has been developed from the ground up according to RME's core principles. By integrating Audinate's Dante IP Core on a custom RME FPGA platform, RME provides a highly flexible solution and moves closer to the goal of a truly universal audio network solution.
All device states can be controlled directly via the front panel with encoders and multiple buttons, allowing convenient access to all functions. Additionally, RME AVB devices can be fully controlled remotely via a web interface or any network connection, including Wi-Fi, enabling quick creation of gain groups, activation or deactivation of phantom power, and routing of signals to the headphone output for monitoring. The integrated routing matrix allows for quick routing of any analog input as well as all digital signals directly to the headphone output, simplifying the resolution of signal, clock, connection, or other issues.
9. RME Audio RME HDSPe AoX-D
The RME HDSPe AoX-D is a highly advanced PCI Express audio interface card specifically designed for professional audio applications. With the ability to send and receive up to 512 audio channels through two separate RJ45 connectors, this interface offers exceptional flexibility and performance. It is ideal for use in digital audio workstations (DAWs) and audio processors, both in built-in and Thunderbolt expansion chassis. The card not only supports network audio channels but can also be combined with MADI signals through optional expansion cards. This makes the RME HDSPe AoX-D a versatile solution for complex audio routing requirements. Additionally, the card features a headphone output, AES3 stereo I/O, and MIDI connections accessible via a breakout cable, facilitating integration into existing setups.
- 512 audio channels via two RJ45 connectors
- Support for MADI signals through optional expansion cards
- Headphone output for direct monitoring
- AES3 stereo I/O for digital signal processing
- MIDI connections via breakout cable for enhanced connectivity.
10. RME Audio RME M-32 DA Pro II-D 32 channel DA converter
32-channel 192 kHz D/A converter with MADI & Dante I/O, 1 HU
The M-32 Pro II series has been designed to meet the demanding requirements of professional studios, immersive sound installations, live sound systems, and industrial applications that need a reliable analog converter solution with high-end network audio processing. These new converters are available with either 32 analog inputs or outputs and AVB for a selection of four different models. With up to 32 channels, full MADI I/O, improved specifications with extremely low distortion, intelligent channel routing, and innovative user-friendliness, the new M-32 Pro II series represents the latest technology for exceptional audio performance.
The highly requested Dante connectivity has been directly integrated into the hardware of the M-32 Pro II-D by RME. It allows connection to other audio devices via standard network switches and enables users to connect up to 64 audio channels from a computer directly to the analog and digital inputs and outputs of the M-32 Pro II-D using the Dante Virtual Soundcard™ (license sold separately).
In the context of an ever-changing landscape of network audio solutions, the challenge for the RME development team was to create a high-performance device platform that guarantees unparalleled flexibility and stability for years to come. To meet these high demands, everything was developed from the ground up. By integrating Audinate's Dante IP core on a specially developed RME FPGA platform, RME not only offers a highly flexible solution but also takes a significant step closer to achieving a truly universal audio networking experience.
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