Best selling Audio interfaces from RME Audio
On this page you'll find a ranking of the best RME Audio products in this category. To give you a quick overview, we've already ranked the most important information about the products for you.
1. RME Audio Babyface Pro FS
The RME Audio Babyface Pro FS is a state-of-the-art audio interface designed for professional applications in music production and audio technology. With 24 channels, including 12 input and 12 output channels, it offers a variety of connection options, including analog inputs and outputs as well as digital interfaces like ADAT and SPDIF. The aluminum block construction not only provides an appealing look but also ensures high stability and durability. The innovative technology enables outstanding sound quality that makes no compromises even in demanding applications. The integrated microphone preamps offer high gain and are equipped with digital control, allowing precise adjustment of phantom power. The Babyface Pro FS is therefore ideal for musicians, sound engineers, and producers who value the highest audio quality and flexibility.
- 24 channels with 12 input and 12 output channels
- High-quality analog and digital circuitry for excellent sound quality
- Digital control of phantom power for microphone inputs
- Independent amplifier stages for headphone outputs, suitable for various impedances
- Compact and robust aluminum construction for maximum mobility and durability.
2. RME Audio Fireface UCX II
The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live use. With up to 20 recording and 20 playback channels, SteadyClock FS, powerful microphone inputs, integrated parametric EQ, USB Direct Recording, and full stand-alone functionality, the brand-new Fireface UCX II embodies the essence of freedom, flexibility, and passion.
No other audio interface currently offers more connectivity and functionality in a half-rack format. Connection options: 20 Inputs / 20 Outputs, 8 x Analog I/O, 2 x Mic/Line Preamps (digitally adjustable), 2 x Line / Instrument Inputs (digitally adjustable), AES/EBU and SPDIF I/O, ADAT I/O, Wordclock I/O (switchable), MIDI I/O, USB 2.0 (USB 3 compatible).
3. RME Audio Digiface Dante
The Digiface Dante from RME Audio is an advanced audio interface specifically designed to meet the demands of the professional audio sector. It utilizes the Dante Audio-over-IP protocol, allowing for uncompressed transmission of digital audio signals with low latency over long distances. This compact interface provides an external solution for mobile operation and complements RME's internal Dante PCIe card. Users can choose between an external power supply and USB bus power, ensuring flexibility and mobility. With the integration of MADI drivers from the MADIface series, the Digiface Dante enables the transmission of up to 64 MADI channels over USB 3.0, further enhancing the device's versatility. Control of the total 128 channels is managed through the included Dante control software and the DSP-based RME TotalMix FX mixer, which offers comprehensive routing and monitoring options.
- Supports up to 64 Dante channels and 64 MADI channels via USB 3.0
- Provides redundant network ports for flexible use as inputs and outputs or as a network switch
- Includes comprehensive control software for easy routing and monitoring
- Compatible with Mac and Windows through MADI driver integration
- Compact design for mobile applications.
4. RME Audio Fireface UFX II
30 input / 30 output channels
12 x Analog I/O
4 x Mic/Instrument preamps (digitally controllable)
1 x AES/EBU I/O
2 x ADAT I/O (or 1 x ADAT I/O plus 1 x optical SPDIF I/O)
1 x Word Clock I/O
2 x MIDI I/O
1 x USB 2.0
TotalMix FX
Optional: Advanced Remote Control USB
The Fireface UFX II is an audio interface with 60 audio channels, allowing for the transfer of analog and digital audio data from virtually any source in the highest quality directly to your computer. With sample rates up to 192 kHz, the ability for direct USB recording (DURec), and PC or Mac-independent flexibility through the USB connection, the Fireface UFX II is the ideal solution for a wide range of applications in producing, recording, and mixing.
Numerous unique features, well-thought-out settings dialogs, an outstanding and incredibly flexible mixer and monitoring solution, professional DSP effects, and excellent analog circuitry with the latest digital converters place the Fireface UFX II at the forefront of all computer-based audio interfaces.
5. RME Audio Fireface UFX III
188-channel, 24-bit/192kHz high-end USB 3 audio interface. The Fireface UFX III is the centerpiece of any multitrack studio and can effortlessly manage up to 94 channels of I/O. Its unparalleled flexibility, compatibility, integration of DURec (Direct USB Recording), and RME's renowned low-latency hardware and driver design ensure flawless operation in any mode and application.
Packed with professional features such as SteadyClock FS, MADI I/O (64 channels), a powerful DSP, USB 3.0 (fully 94 channel I/O Class Compliant Ready), TotalMix FX, Direct USB Recording, and support for the separately available Advanced Remote Control USB, the Fireface UFX III is the preferred tool for professional multitrack recording, mixing, and mastering.
6. RME Audio Sound card HDSPe AIO Pro
7. RME Audio Digiface
66-channel 192 kHz USB audio interface. 66 channels: 32 in / 34 out. 4 x ADAT/SPDIF input. 4 x ADAT/SPDIF output. 1 x headphone TRS stereo output. TotalMix. USB 2.0, bus-powered. Like all current RME interfaces, the Digiface USB features the powerful digital real-time mixer TotalMix FX. It can perform any mixing and routing operations with all inputs and playback tracks on any hardware outputs. However, the Digiface USB does not have a DSP, so no effects are included. Nevertheless, the mixer includes a Control Room section with talkback, main/phones, fader groups, mute groups, complete remote control via Mackie and OSC protocols, and much more.
8. RME Audio Hdspe Madi
The HDSPe MADI is RME's both inexpensive and outstanding PCI Express card with MADI interface. HDSPe MADI is based on the award-winning HDSP MADI card, and represents the new top model of this world-wide successful card line.
The PCI Express card consequently uses all advantages of the MADI format, the professionals' multi-Channel audio interface, offering 64 channels of 24-bit audio at a sample rate of up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz. Transmission is done via a single line, either coaxial with BNC plugs or by fiber cable. In both cases more than 100 m cable length can be achieved.
Compared with the HDSP MADI (Standard PCI version), the express card offers some new features: Support of higher sample rates than 96 kHz, more features in TotalMix (phase and internal loopback per channel, +6 dB gain for the hardware outputs), and the direct support of the Time Code Option. HDSPe MADI provides even lower latencies, making the card the perfect partner for live recording and live mixing applications. The analog monitor output is equipped with the low-latency converter technology of the ADI-8 QS, thus guaranteeing stunning SNR and THD values too.
HDSPe MADI is fully compatible to all devices with MADI interface. In combination with the ADI-648 an 8 x ADAT optical PC interface is realized, unbeatable in price and performance. With the ADI-6432 a bidirectional AES/EBU frontend with 64 channels is available.
On a powerful PC/Mac three HDSPe MADI can be used in a combination, providing 192 inputs and 192 outputs on a single workstation simultaneously.
9. RME Audio RME Madiface XT II USB Audio Interface
The MADIface XT II is a 394-channel 192 kHz USB 3.0 audio interface with extensive connectivity and control options for live and studio use. Compared to its predecessor, the MADIface XT, the MADIface XT II features updated digital and analog circuitry, surpassing the first generation with significantly improved analog and digital performance.
10. RME Audio RME Fireface 802 FS AE
The new model impresses with its elegant dark design, inspired by the successful ADI-2 series. The Fireface 802 FS AE is technically identical to the Fireface 802 FS and offers the same powerful features and functions, including 60 audio channels, high-end microphone preamps, reference-class converters, a complete electronics section, and operation at up to 192 kHz. Active jitter suppression with SteadyClock FS, DC-coupled outputs for all eight analog line outputs, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, the metering and analysis toolbox DigiCheck, as well as identical operation on Windows PC and Mac complete the package. The feature set also includes the optional Class-Compliant mode (full 30-channel I/O at up to 192 kHz) and operation with TotalMix FX for iPad. RME's app for complete control of the Fireface 802 FS AE from the iPad allows full control of the device - entirely without a computer. The alternative CC mode can be easily activated via a recessed button on the back of the interface. Control of TotalMix FX, including the latest Room EQ function, is now also possible - thanks to the USB-A port for direct connection of the optionally available ARC USB or ARC USB (Black Edition).
