Best BOSS (Electronics) products in the Effects pedal category
On this page you'll find a ranking of the best BOSS (Electronics) products in this category. To give you a quick overview, we've already ranked the most important information about the products for you.
1. BOSS (Electronics) RC-5
The RC-5 gives your pedalboard maximum looping power. Record in high-quality 32-bit sound, navigate parameters via the backlit LCD, keep an eye on loop status and benefit from advanced control options via external footswitches and TRS MIDI I/O. With more than 50 built-in rhythms, 13 hours of stereo recording, 99 phrase slots and more, the RC-5 puts the power of music at your feet.
Advanced BOSS looping features in a compact package. First-class sound quality thanks to 32-bit AD/DA conversion and 32-bit floating point calculation. Stereo looping engine with 13 hours of recording capacity. LCD with multicolour backlighting for displaying loop status and editing parameters. Reverse function for exceptional loop structures. Seven drum kits and 57 preset rhythms with A/B variations. Advanced control via external footswitches, expression pedal or MIDI. MIDI in/out via space-saving mini-jack connectors (BMIDI-5-35 adapter cable sold separately). 99 phrase memories built in. Save and load WAV loops via USB.
2. BOSS (Electronics) DS-1 Distortion
The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today. Before the DS-1, most distortion pedals produced harsh, buzzy tones and muddy sound at high gain settings. In 1978, BOSS engineers changed all that by developing a unique distortion circuit for the DS-1 that produces tight, hard-edged gain with rich harmonics while retaining the unique characteristics of different guitars and playing techniques.
Hard rock, metal, and punk styles began to flourish in the ‘70s and ‘80s, and the DS-1’s tone had a defining influence on these genres. That trend has endured through multiple generations, and players around the world continue to seek out the classic DS-1 sound. From its modest three-knob interface, many different sound colors can be coaxed from the DS-1. Its pioneering two-stage circuit incorporates both transistor and op-amp gain stages. This approach is critical to the DS-1’s characteristic low-frequency fullness, which is loved by guitarists that play heavy music genres. The distortion knob offers an extremely wide range, from a mild boost for driving amps and pedals to full-throttle gain for monster rock riffs. Unlike typical tone controls that only cut highs, the DS-1’s tone circuit features an innovative design that offers far more range. Turning the knob clockwise increases highs and decreases lows, while going counter-clockwise has the opposite effect. This lets you dial in everything from tight, cutting rhythm sounds to smooth, fat lead voices. The tone control is particularly effective for maintaining low-end definition when using the DS-1 as a booster with vintage-style amps, which often sound muddy when driven with other distortion pedals.
3. BOSS (Electronics) Loop Station RC-1
The BOSS RC-1 is the easiest to use loop station with an extremely high fun factor. Since the release of the RC-20 Loop Station in 2001, BOSS, as a pioneering manufacturer, has regularly designed new Looper pedals. Although all loop stations produced to date are very popular and successful, there is still a need for an even simpler and less expensive solution. The RC-1 is a very easy to use Looper: The recording, playback, overdub recording, as well as the Undo/Redo functions, are very simple to perform and create fun when creating your own loop phrases. In terms of quality and reliability, the RC-1 is in no way inferior to other BOSS compact pedals. That's what musicians all over the world appreciate so much about BOSS.
4. BOSS (Electronics) RC-505MKII
Packed with inspiring tools for spontaneous musical creations, the RC-505MKII adds next-generation power and flexibility to the world's most popular tabletop looper. Expand your performances across up to five stereo tracks and tweak them with four simultaneous input and track effects each. Plus, you can customize the RC-505mkII's key assignments, access even more input and output options, take greater control of your mix, and more. The RC-505mkII is a dream for beatboxers, singers, multi-instrumentalists, and other looping artists, with limitless expressive possibilities live and in the studio.
HIGHLIGHTS:
- The industry standard among tabletop loopers, once again expanded and improved
- First-class sound quality thanks to 32-bit AD/DA conversion and 32-bit floating point calculation
- Five simultaneous stereo tracks with independent control and dedicated volume faders
- Input FX and Track FX sections, each with four simultaneous effects and four DeepL access banks
- Individually customizable effect and track buttons for each phrase track
- Huge built-in effects selection with 49 input effects and 53 track effects, including Harmony, Electric
FX and many more
- New, ultra-rugged faders with extended travel for even more precise adjustment
- New mark-back feature for extended undo/redo flexibility during performance
- Two XLR mic inputs with phantom power, two stereo input pairs and three stereo
output pairs
- 99 memories, each with five phrase tracks, individual effect assignments, standalone
playback settings, control assignments, and more
- Sync your loops with over 200 built-in rhythm patterns and 16 drum kits
- Comprehensive MIDI control
- Two external control inputs for connecting two foot pedals or an expression pedal
- USB port for data...
5. BOSS (Electronics) GX-100
The GX-100 combines groundbreaking BOSS sound technologies with a sleek, modern hardware design to deliver top performance anywhere. Explore 23 AIRD amps and more than 150 effects from the flagship GT-1000 and create outstanding sounds in just a few steps using the intuitive color touch display. Up to 15 simultaneous effect blocks offer unlimited sound possibilities - especially when combined with in-depth real-time control via the built-in footswitches, expression pedal, or external control options.
6. BOSS (Electronics) RC-600
Next-generation floor-based looper with six stereo tracks, premium sound quality. sound quality, extensive built-in effects options, and unmatched real-time control. Meet the RC-600, the world's most advanced looper. Loaded with advanced features and customizable functions, this next-generation loop station ushers in an era of creative possibilities for guitarists, singer/songwriters, multi-instrumentalists and other loopers. Record multiple mics and instruments with six stereo tracks and premium 32-bit sound, and take command with nine freely assignable footswitches and extensive external control support.
Time-based effects can automatically sync with rhythms and loop tempo. Two XLR mic inputs with phantom power, two stereo line input pairs, and three assignable stereo line output pairs.There are 99 memory locations, each with six phrase tracks, plus custom effect and playback settings, knob assignments, and more. Sync your loops with over 200 built-in rhythm patterns and 16 drum kits.
7. BOSS (Electronics) EQ-200 Graphic Equalizer Pedal
With the 200 series, BOSS presents a new, compact pedal generation that convinces with high-quality sound, exceptional versatility and minimal space requirement on your pedalboard. Thanks to intuitive controls and multifunctional switches, operation is simple and intuitive. Additional convenience is provided by the internal memory slots, which allow you to instantly recall your own setups when needed. The high audio quality of the 200 series pedals is based on 32-bit AD/DA conversion, 32-bit internal signal processing and 96 kHz sampling rate. Furthermore, you can optionally control the pedals via external switches, an expression pedal or via MIDI. The EQ-200 is the most flexible compact equalizer ever designed for guitarists and bassists. It features two comprehensive 10-band EQ channels as well as an integrated graphical display to show the currently selected EQ curve. The two channels can be configured for parallel, serial or stereo operation. At the same time, external pedals can be connected to process signals before or after the internal EQ (pre/post). In addition, you can switch the center frequencies of the ten EQ bands between three different types to flexibly tune the EQ-200 to different instruments. With its revised design, 32-bit/96 kHz processing unit, and ultra-low self-noise, the EQ-200 enables precise sound processing based on the highest signal quality. Each frequency band can be cut or boosted by 15 dB. In addition, each channel has a level control that lets you equalize the processed signal to the bypass signal or add an extra level boost. The center frequencies of the bands can be switched between three types. This allows you to tailor the EQ-200's sound processing to different instruments - from electric and acoustic guitars, to basses, and even p...
8. BOSS (Electronics) EV-1-WL Wireless MIDI Expression Pedal
Take control of your MIDI setup with the BOSS EV-1-WL, the world's first wireless MIDI expression pedal. The EV-1-WL provides wireless foot control of BOSS products such as the EURUS GS-1, Waza-Air, Katana-Air music apps on smart devices and devices that can receive CC messages via Bluetooth MIDI. In addition, USB and MIDI TRS ports are provided to control music software on computers and traditional MIDI devices via a wired connection. Whether wireless, wired, or both at the same time, the compact EV-1-WL delivers plenty of MIDI power.
The EV-1-WL is the perfect creative partner for the growing number of music performance hardware with wireless Bluetooth support. Control pitch bend, filter and other synthesizer parameters of the BOSS EURUS GS-1 guitar. Or add external footswitches to create a small Bluetooth pedalboard for patch selection, wah/volume control and more via the Waza-Air and Katana-Air wireless guitar amp systems. What's more, you can use the EV-1-WL to communicate wirelessly with a MIDI device with a standard 5-pin connector, as long as it's equipped with the Roland WM-1 Wireless MIDI Adapter.
HIGHLIGHTS:
- Powerful MIDI control pedal with three connection types: Bluetooth, USB and TRS MIDI.
- Use all three outputs simultaneously, each with individual MIDI CC settings
- Wireless control of the BOSS EURUS GS-1, Waza-Air, Katana-Air and any device with Bluetooth MIDI support
- USB connection for plug-and-play use with music software on macOS and Windows computers
- TRS MIDI output for controlling MIDI devices with TRS or 5-pin jacks
- Compatible with Roland WM-1 and WM-1D wireless MIDI adapters
- Integrated toe switch with on/off indicator on both sides of the pedal
- Control input for up to two BOSS FS-series footswitches
- iOS/Android app for assigning MIDI CC numbers, adjusting response, and...
9. BOSS (Electronics) FV-500L
The FV-500L volume pedal from Boss is the perfect solution for adding volume to solos or main riffs. The FV-500L features a durable die-cast aluminum body, making the pedal perfect for touring or live use. The pedal's extremely smooth response lets you effortlessly and reliably add volume to your playing, and the non-slip rubber surface ensures a firm grip at all times during hectic sessions or gigs. The FV-500L can be used with expression-compatible amps, effects, and even synthesizers via an expression output.
Features:
Rugged aluminum chassis
Silky smooth pedal action with adjustable pedal resistance
Non-slip rubber pad
Volume and expression pedal function
Convenient output for tuner
10. BOSS (Electronics) ODB-3 compact pedal
World standard in terms of overdrive for bass. The ODB-3 is suitable for the entire frequency range of the bass, five- and six-string included. From a slightly distorted, warm tube sound to hard distortion, all bass distortions are possible.
