Best Ferrofish products in the Audio interfaces category
On this page you'll find a ranking of the best Ferrofish products in this category. To give you a quick overview, we've already ranked the most important information about the products for you.
1. Ferrofish Verto 32
32-channel ADAT and Dante converter. With the Verto 32, it is now possible to easily integrate up to 32 x 32 channels into a Dante network via ADAT I/Os. No matter which ADAT device you use, the Verto 32 instantly provides all 32 x 32 channels as "plug and play" in the Dante network. This ultra-compact device features a total of eight optical ADAT TOSLINK sockets: four for transmitting ADAT to Dante and another four for the reverse direction. On the Dante side, there are two RJ45 sockets, prepared for redundant operation. The Verto 32 supports sample rates of up to 96 kHz, MIDI sockets for firmware updates, and BNC word clock sockets for external synchronization.
2. Ferrofish Verto 64
64-channel ADAT Dante converter. With the Verto 64, it is now possible to integrate up to 64 x 64 channels into a Dante network via ADAT I/O in the simplest way. No matter which ADAT device – the Verto 64 immediately provides all 64 x 64 channels as "plug and play" in the Dante network. This ultra-compact device features a total of 16 optical ADAT TOSLINK connectors: 8 for transmitting ADAT to Dante, and another 8 connectors for the reverse direction. On the Dante side, there are two RJ45 connectors, prepared for redundant operation. The Verto 64 supports up to 96 kHz sample rate, MIDI connectors for firmware updates, and BNC word clock connectors for external synchronization.
3. Ferrofish Pulse16 MX
The Pulse16 MX from Ferrofish is a highly advanced audio interface designed as a 16 x 16 channel AD/DA converter. It offers outstanding audio quality with a maximum sample rate of 192 kHz and a 24-bit audio resolution. The device is equipped with 16 balanced analog TRS connectors that support a studio level of up to +20 dBu. The integration of digital interfaces such as Dante, ADAT, and MADI allows for flexible and versatile use in various audio applications. The Dante interface provides a redundant connection via two RJ45 ports and enables the transmission of 64 x 64 channels, significantly simplifying integration into networks. The routing matrix of the Pulse16 MX allows for individual signal distribution in groups of 8 channels, making it easier to adapt to specific requirements. With its compact design of just 1U, the Pulse16 MX is ideal for use in professional studios and live environments.
- 16 x 16 balanced analog TRS connectors with studio level up to +20 dBu
- Maximum sample rate of 192 kHz and 24-bit audio resolution
- Integrated Dante interface with 64 x 64 channels
- Flexible routing matrix for individual signal distribution
- Modular MADI connection for expanded channel count.
4. Ferrofish Pulse8 AE
The Ferrofish Pulse8 AE is a versatile and compact AD/DA converter. It can be easily integrated into studio or live setups and offers precise and clean signal conversion with 8 high-quality, balanced analog inputs and outputs. It features the same high-quality converter technology as its larger counterpart and provides 8x8 balanced analog I/O as well as comprehensive ADAT connectivity up to 192 kHz.
With its clear display and simple controls, the Pulse8 AE brings high-quality conversion and routing functions in studio quality to any professional workflow, whether in a home studio or during live performances. Every detail, from the reliable clock to the high-quality ESS converters, ensures top-notch audio quality in a versatile and space-saving design.
5. Ferrofish A32pro Dante
The A32pro Dante is our flagship product that connects digital and analog audio with the world of Dante. All interfaces, whether analog, MADI, or ADAT, are integrated into the Dante network through the built-in routing matrix. Naturally, all features of the A32pro remain available. The A32pro Dante is not just a converter but also the ultimate problem solver thanks to its incredible flexibility and modular hardware platform. Overall, the A32pro Dante processes 386 channels, all housed in a sleek 1U rack unit. It is nearly impossible to list all the configurations of the A32pro Dante: In addition to the 32 x 32 balanced analog inputs and outputs in studio quality at up to 192 kHz, there is a stereo main output, four ADAT I/O, two MADI I/O ports, and of course, Dante, which is redundantly output via two RJ45 sockets. Everything is routable in groups of 8 channels. Clarity and operational reliability are top priorities: both Dante and MADI are designed to be redundant, a crucial feature for live operation. Of course, a second power supply can be connected, and thanks to the four multitouch TFT screens, the user has full control at all times. The compact 1U converter is equipped with 32 x 32 balanced analog channels that terminate in eight D-SUB connectors. They deliver studio levels of up to +20 dBu, individually adjustable in 1 dB steps. The sophisticated design with state-of-the-art ESS converters, accompanied by a temperature-compensated clock and jitter-reduction PLL, ensures the best crystal-clear sound up to 192 kHz.
6. Ferrofish Pulse16 DX
The analog inputs and outputs of this “+24dBu” version can receive and send levels of up to +24dBu instead of +20dBu. The PULSE16 converts 16 x 16 symmetrical analog inputs and outputs in studio quality with up to 96kHz in ADAT and MADI I/O. As a cost-effective and mature interface, ADAT is already widely available – expanding your studio with the PULSE16 to include 16 x 16 analog channels is therefore a straightforward process. Additionally, the existing 32x32 ADAT channels can be routed to and from the MADI and DANTE channels alongside the analog channels.
The low-latency A/D-D/A converters, accompanied by a temperature-compensated clock and a jitter reduction PLL, ensure the best crystal-clear sound. All of this is packed into a compact 1U unit, delivering SMPTE-compliant studio levels of up to +24dBu, individually adjustable in 1dB steps, brought to a total of 32 jack connections. Thanks to the 4 x 4 ADAT interfaces, 16 x 16 channels can also be converted at 96kHz without a reduced channel count – or through the 64 x 64 MADI and DANTE channels, which reduce to 32 x 32 channels at 96k.
Configuring the device is a breeze thanks to the two TFT screens. There’s no need to consult the manual; all information is clearly displayed on the screens. Remote control via MIDI is also possible thanks to the free RemoteFish app.
The headphone output can reproduce almost any analog or digital input or output: ideal for quick signal monitoring.
7. Ferrofish Verto MX
64 x 64 Channel Dante MADI Converter. With the Verto MX, it is now possible to easily integrate your beloved existing MADI equipment into a Dante network. Whether it's a mixing console or MADI converter, the Verto MX provides all 64 x 64 MADI channels immediately as "plug and play" in the Dante network. This ultra-compact device features two MADI interfaces, allowing for both optical and coaxial cables to be connected. In the event of a MADI signal failure, it automatically switches to the other interface, enabling a secure redundant operation. On the Dante side, there are two RJ45 ports, also prepared for redundant operation. The Verto MX supports sample rates of up to 192 kHz, has MIDI ports for updates, and BNC word clock ports for external synchronization.
8. Ferrofish Pulse16
The Pulse16 from Ferrofish is a highly advanced audio interface specifically designed for professional applications in music production. With 16 balanced analog inputs and outputs in studio quality, it allows for seamless conversion to ADAT I/O with a maximum sample rate of 96 kHz. The +24dBu version of the Pulse16 offers the capability to receive and send levels of up to +24dBu, ensuring enhanced dynamics and flexibility in signal processing. Additionally, the interface provides an optional CV output, enabling the output of control voltage for analog modular systems. The combination of high-quality A/D and D/A converters, a temperature-compensated clock, and a jitter reduction PLL ensures outstanding sound quality and low latency. The compact design of the Pulse16, housed in a 1U rack format, makes it a practical solution for any studio.
- 16 x 16 balanced analog inputs and outputs in studio quality
- Maximum sample rate of 96 kHz for high-resolution audio processing
- +24dBu level for enhanced dynamics and flexibility
- Optional CV output for controlling analog modular systems
- Low latency thanks to high-quality A/D and D/A converters and jitter reduction PLL.
