Luca Fontana
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Sony TV boss: «8K? The market doesn’t want it»

Luca Fontana
15.3.2025
Translation: Katherine Martin

It’s Sony against the rest of the world. While Samsung, LG, TCL and Hisense are chasing market share, Sony has decided on a different path to success. I spoke to Sony TV boss Shoji Charlie Ohama about strategies, competition and the main trends in the industry right now.

A few days ago, Sony gave selected journalists in London a sneak peek of the next display technology poised to shake up the high-end TV segment: RGB LED. It’s a new approach that’ll supposedly deliver even more precise colour gradations and more brightness. But the competition never sleeps.

While Samsung and LG are continuing to focus on Mini LEDs and OLEDs, TCL and Hisense are rolling up the field with aggressively low prices. Sony, on the other hand, is pursuing its own course: less market share, better picture quality. But how long will this strategy continue to work? And what actually makes RGB LED better than other technologies?

Charlie, let’s address the elephant in the room. Sony was once a TV superpower. Today, you’re only number five in the world. Was that a deliberate strategy? To sort of cleverly retreat into the premium segment? Or did Samsung, LG, TCL and Hisense simply overtake you?
Ha! Good question. Sony has built up a strong position in the TV business over the past fifty years, but we don’t view the TV market as a single entity. We leave that to the media.

How do you view it then?
The TV market is huge and extremely diverse. On the one hand, you have tiny, affordable 19- or 22-inch models. On the other, you have gigantic 115-inch premium TVs. If market share were our only concern, we could just focus on mass production and churn out cheap, entry-level TVs. Our sales figures would look completely different that way.

So that’s not what you want?
No, our focus has always been on the mid to upper price segment. Obviously that won’t make us as big as Samsung or LG, and it certainly won’t make our pricing as aggressive as TCL’s or Hisense’s. But high-end TVs are the very area we’re really strong in.

«A panel alone doesn’t make a great picture – it’s the processor performance that counts.»

I see. You’re prioritising profitability over mass production.
Yes and no. Of course, as a business, we have to be profitable. But it’s not about achieving the highest possible margins – it’s about giving our customers the best possible picture quality for their money. That’s what we aspire to.

Could you expand on that?
For years now, our focus has been on perfect image optimisation. These days, everyone’s calling their processors «AI-powered», but we’ve been working with advanced algorithms for ages. The reason Sony TVs are constantly winning awards is that we deliver the most natural, most accurate picture, straight out of the box. It’s not because we have the brightest or biggest displays.

«Anyone can buy a panel – but not everyone can optimise it to its full potential.»

Who manufacturers your RGB LED panels?
Unfortunately, I can’t disclose that. What I can tell you is that our backlight and dimming will be different from the competition’s. The panel itself may be similar, but our approach produces a completely different result. As for how we do it? Well, that’s still our secret.

«If Micro LED really was the future, we’d have affordable models by now.»

So do you think Micro LED will stay as a product aimed at businesses?
It certainly looks that way at the moment. If Micro LED really was the future, we’d have affordable models by now. But it hasn’t happened. Maybe there’ll be a major breakthrough at some point, but at present, it’s a technology for high-end business applications.

Okay, on to the next «major trend»: 8K. You haven’t launched any new 8K models since 2022. Does Sony still believe in this technology?
Honestly? The market doesn’t want it. The demand simply isn’t there. You see, 8K isn’t comparable with the leap from Full HD to 4K. When 4K first came on the scene, it was obvious what it brought to the table: larger screens, more detail, better content. But 8K? There’s hardly any content.

But many manufacturers say 8K upscaling is more than enough.
Upscaling can help, but it’s no substitute for real 8K. If the source material’s only available in Full HD or 4K, it can’t be magically transformed into true 8K. Many TV manufacturers talk up their upscaling technology, but if you look closely, upscaled 8K rarely looks any better than good 4K.

So the problem is mainly a lack of content?
Yes, exactly. Where’s the 8K content? Streaming services almost exclusively deal in 4K. Even traditional television isn’t yet fully available in 4K in many countries. The truth is, hardly anyone’s out there clamouring for more pixels.

Is 8K ultimately just a very expensive marketing gimmick? Like 3D TVs back in the day?
It’s difficult to say, but that comparison isn’t entirely off. 8K has its uses in some scenarios – on huge screens, in professional applications or maybe some day in gaming.

«8K? The market doesn’t want it. The demand simply isn’t there.»

Got it. Let’s move on to my last question then. Where will Sony be in the TV market in ten years time?
Oh boy.

So will Sony continue to be a premium brand in future?
Yes – and more than that. We’re constantly developing new technologies to strengthen our portfolio. RGB LED is one example, but we’re also developing our processors.

It sounds like Sony sees itself as a brand keen to keep image processing entirely under its control.
That’s right. Sony is about more than just televisions. We’re about the picture – from the lens to the living room.

Perfect, that’s a wrap. Thank you very much for the interview.
I enjoyed it!


Having joined Sony in 2006, Shoji Charlie Ohama has played a central role in successfully realigning the TV business, particularly in North America. His profound understanding of the TV panel industry and his flair for the balance between sales and marketing make him a key figure at Sony. Since October 2023, he has been contributing his expertise to the European TV division as Head of Home Entertainment (TV, Home Audio + Video).

Header image: Luca Fontana

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I write about technology as if it were cinema, and about films as if they were real life. Between bits and blockbusters, I’m after stories that move people, not just generate clicks. And yes – sometimes I listen to film scores louder than I probably should.


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