Guide

April streaming highlights: the films and series you just can’t miss

Luca Fontana
1.4.2023
Translation: Katherine Martin

New month, new streaming highlights. Here’s what you can stream on Netflix, Disney+, Apple TV+ and Sky Show this April.

What does earth say to make fun of other planets? «You guys have no life!» Probably because any life forms that may be out there are busy checking out my latest recommendations of series and films appearing on Netflix and other platforms this month.

The Good Mothers (mini-series)

Denise, however, won’t be silenced. When she meets young lawyer Anna Colace (Barbara Chichiarelli), she develops a burgeoning hope of escaping the never-ending vicious cycle of violence and silence. Will their fight to topple the invincible organisation using inside information succeed?

**Release date:**5 April
Where: Disney+ (Star)

Black Adam

**Release date:**5 April
Where: Sky Show with Cinema Pass

BEEF (season 1)

You know when you’re fizzing mad about something and you take it out on people or things that are absolutely nothing to do with why you’re upset? That idiot in the car in front of you who doesn’t hit the gas when the lights turn orange, for instance. As if you had all the time in the world to accommodate their pitiful reaction times. Most likely an Aargau driver (and I’m from Aargau, so I’m allowed to say that).

That’s exactly what happens to failed entrepreneur Danny Cho (Steven Yeun), when, in a blind rage, he picks a fight with successful businesswoman Amy Lau (Ali Wong). This ultimately gets them both involved in a car accident – and that’s just the beginning. In fact, the accident goes on to cause chaos in their lives, careers and relationships, as if life itself turns into an enemy.

Side note: the dramedy series is produced by A24, the independent film studio behind box office hits such as Everything Everywhere All at Once, The Whale (both contenders at this year’s Academy Awards), The Lighthouse and The Green Knight. This considered, BEEF is likely to be worth a watch.

Release date: 6 April
Where: Netflix

HUNGER

Release date: 8 April
Where: Netflix

Triangle of Sadness

Release date: 13 April
Where: Sky Show with Cinema Pass

Mighty Morphin’ Power Rangers: Once + Always

«It’s morphin’ time!»

Nevertheless, Once + Always is the reunion episode the world has been waiting 30 years for. That is, the world that went through childhood between 1993 and 1997. People like me, for example. Seeing my childhood heroes reunited as Power Rangers is bound to bring a tear to my eye.

Release date: 19 April
Where: Netflix

Poker Face (series 1)

Looper, Star Wars: The Last Jedi and Knives Out director Rian Johnson isn’t everyone’s cup of tea. But I’m a fan. Especially since Johnson is one of Hollywood’s few remaining auteurs i.e. directors who only shoot movies they’ve written themselves. This tends to produce better movies, as writer-directors create a mental picture of the film during the writing process.

His latest project is Poker Face, a classic thriller with a new case every week. Each episode follows a short, self-contained story, with the series as a whole loosely threaded together in the background. In it, Natasha Lyonne plays an amateur detective who can immediately tell when someone’s lying. It’s almost like she has a superpower. Perhaps she does. Or maybe she doesn’t. Either way, she uses her gift to solve numerous crimes.

Release date: 24 April
Where: Sky Show with Entertainment Pass

The Afterparty (series 2)

New series, new afterparty. This time, Detective Danner (Tiffany Haddish) is tasked with solving the murder of a groom-to-be. Other than that, we don’t know a whole lot about the second season’s plot. There isn’t even a trailer yet, which is why I’ve «only» linked the season one trailer here.

It’s rare to get so many «different» series for the price of one. Apple says this variety will continue, with numerous new genres to come. So I’ve already added season two to my watch list.

Release date: 28 April
Where: Apple TV+

Header image: Mighty Morphin’ Power Rangers: Once + Always, Netflix

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I write about technology as if it were cinema, and about films as if they were real life. Between bits and blockbusters, I’m after stories that move people, not just generate clicks. And yes – sometimes I listen to film scores louder than I probably should.


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