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CHF 467.–

Tokina AT-X 116 PRO DX II, 11-16mm, f/2.8, Nikon

Art-Nr 352732
Expected delivery date: The day after tomorrow 24.04.2018 if ordered by tomorrow 17:00
5 piece(s) in our warehouse

Availability

Mail delivery

  • 5 piece(s)
    in our warehouse

Collection

  • Basel: tomorrow at 13:10
  • Bern: tomorrow at 12:15
  • Dietikon: tomorrow at 14:30
  • Geneva: tomorrow at 13:30
  • Kriens: tomorrow at 12:00
  • Lausanne: tomorrow at 15:40
  • St Gallen: tomorrow at 15:30
  • Winterthur: tomorrow at 13:30
  • Wohlen: tomorrow at 11:00
  • Zurich: tomorrow at 12:30

PickMup

If ordered immediately.
Information subject to change.

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Description

A high-intensity ultra wide-angle zoom lens for interior, available-light and landscape photography. Built-in ultrasound motor, new lens coating and optimized glass types, brilliant sharpness, large image angle and high light intensity, close-up adjustment limit of 30 cm for three-dimensional detail shots, very high focusing speed and setting accuracy, robust construction.

particularities

Tightly fitted ultrasonic motor
New lens coating and optimized glass types
Brilliant sharpness, large image angle and high luminous intensity
Close-up adjustment limit of 30 cm for three-dimensional detail shots
Very high focusing speed and adjustment accuracy
more

Specifications

Key specifications

Minimum focus distance30 cm
AutofocusYes
Image stabilizationNo
Sensor compatibilityAPS-C / DX

General information

Manufacturer Tokina
Product type Lenses
Item number352732
Manufacturer no.Tok300705
Release date09.08.2012
Sales rank in Product type Lenses92 of 947
External links Manufacturer's site (en)

Colour

Colour group
Black

Camera lens properties

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Camera lens properties

A camera lens (also known as photographic lens, objective lens or photographic objective) is an optical lens or assembly of lenses used in conjunction with a camera body and mechanism to make images of objects either on photographic film or on other media capable of storing an image chemically or electronically.
While in principle a simple convex lens will suffice, in practice a compound lens made up of a number of optical lens elements is required to correct (as much as possible) the many optical aberrations that arise. Some aberrations will be present in any lens system. It is the job of the lens designer to balance these out and produce a design that is suitable for photographic use and possibly mass production.
A lens may be permanently fixed to a camera, or it may be interchangeable with lenses of different focal lengths, apertures, and other properties.

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Lens type
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Lens type

With photo lenses, a further distinction is made according to the angle of view which determines the focal length for a given image format.

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Wide angle lens
i

Wide angle lens

In photography and cinematography, a wide-angle lens refers to a lens whose focal length is substantially smaller than the focal length of a normal lens for a given film plane. This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior and landscape photography where the photographer may not be able to move farther from the scene to photograph it.

More information...

Lens mount
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Lens mount

A lens mount is an interface — mechanical and often also electrical — between a photographic camera body and a lens. It is confined to cameras where the body allows interchangeable lenses, most usually the single lens reflex type or any movie camera of 16 mm or higher gauge. Lens mounts are also used to connect optical components in instrumentation that may not involve a camera, such as the modular components used in optical laboratory prototyping which join via C-mount or T-mount elements.

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Nikon-F
Focal length
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Focal length

The focal length of an optical system is a measure of how strongly it converges (focuses) or diverges (diffuses) light. A system with a shorter focal length has greater optical power than one with a long focal length.

More information...

mm
Focal Length APS-C / DX (35mm film equivalent)
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Focal Length APS-C / DX (35mm film equivalent)

In photography, the 35 mm equivalent focal length is a measure that indicates the angle of view of a particular combination of a camera lens and film or sensor size. The term is useful because most photographers experienced with interchangeable lenses are most familiar with the 35 mm film format.

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mm
Sensor compatibility
APS-C / DX
Number of diaphragm blades
9 x
Filter thread
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Filter thread

Als Filtergewinde bezeichnet man ein Anschlussgewinde von Foto- und Video-Objektiven zur Aufnahme von optischen Filtern. Dieses Gewinde befindet sich meist an der Vorderseites kurz vor der Frontlinse. Für die Aufnahme von Streulichtblenden haben die meisten Objektive einen separaten Anschluss.

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77 mm
Number of lenses
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Number of lenses

A lens is an optical device which transmits and refracts light, converging or diverging the beam.

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13
Number of lens groups
i

Number of lens groups

Gibt an, in wie viele Gruppen die Linsen aufgeteilt sind.

11
Zoom function
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Zoom function

The device has a zoom function.

Yes
Optical zoom
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Optical zoom

A zoom lens is a mechanical assembly of lens elements with the ability to vary its focal length (and thus angle of view), as opposed to a fixed focal length (FFL) lens.

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1.50 x
Fixed front lens
Yes
Internal focusing
i

Internal focusing

Innenfokussierung, abgekürzt IF, ist eine Konstruktionsart von Objektiven, bei der die Entfernungseinstellung nicht durch eine Verschiebung des ganzen Objektivs, sondern nur von einer oder mehreren Linsen innerhalb des Objektivs erfolgt. Die übrigen Linsen, insbesondere die Frontlinse, behalten ihren Abstand von der Bildauffangebene (Fadennetz, Film oder Bildsensor) bei, wodurch sich die Baulänge des Objektivs nicht ändert.

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Yes

Focusing

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Focusing

In geometrical optics, a focus, also called an image point, is the point where light rays originating from a point on the object converge. Although the focus is conceptually a point, physically the focus has a spatial extent, called the blur circle. This non-ideal focusing may be caused by aberrations of the imaging optics. In the absence of significant aberrations, the smallest possible blur circle is the Airy disc, which is caused by diffraction from the optical system's aperture. Aberrations tend to get worse as the aperture diameter increases, while the Airy circle is smallest for large apertures.

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Autofocus
i

Autofocus

Autofocus (or AF) is a feature of some optical systems that allows them to obtain (and in some systems to also continuously maintain) correct focus on a subject, instead of requiring the operator to adjust focus manually.

More information...

Yes
Manual focus
i

Manual focus

It is possible to focus manually. The autofocus is therefore not used.

Yes
Minimum focus distance
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Minimum focus distance

The shortest distance supported.

30 cm

Diaphgragm properties

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Diaphgragm properties

In optics, a diaphragm is a thin opaque structure with an opening (aperture) at its center. The role of the diaphragm is to stop the passage of light, except for the light passing through the aperture.

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Minimum aperture f/
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Minimum aperture f/

In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture of an optical system is the opening that determines the cone angle of a bundle of rays that come to a focus in the image plane. The aperture determines how collimated the admitted rays are, which is of great importance for the appearance at the image plane. If an aperture is narrow, then highly collimated rays are admitted, resulting in a sharp focus at the image plane. If an aperture is wide, then uncollimated rays are admitted, resulting in a sharp focus only for rays with a certain focal length. This means that a wide aperture results in an image that is sharp around what the lens is focusing on and blurred otherwise. The aperture also determines how many of the incoming rays are actually admitted and thus how much light reaches the image plane (the narrower the aperture, the darker the image for a given exposure time).

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22 x
Maximum aperture f/
i

Maximum aperture f/

In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture of an optical system is the opening that determines the cone angle of a bundle of rays that come to a focus in the image plane. The aperture determines how collimated the admitted rays are, which is of great importance for the appearance at the image plane. If an aperture is narrow, then highly collimated rays are admitted, resulting in a sharp focus at the image plane. If an aperture is wide, then uncollimated rays are admitted, resulting in a sharp focus only for rays with a certain focal length. This means that a wide aperture results in an image that is sharp around what the lens is focusing on and blurred otherwise. The aperture also determines how many of the incoming rays are actually admitted and thus how much light reaches the image plane (the narrower the aperture, the darker the image for a given exposure time).

More information...

2.80 x

Product dimensions

i

Product dimensions

Physical size of an object

Diameter
8.40 cm
Weight
0.55 kg
Length
8.92 cm

Properties

Durability
i

Durability

The resistance of a product against outer physical influence (like water, fire, shocks).

Metal mount
i

Metal mount

The Lens mount is made of metal.

More information...

Delivery contents
i

Delivery contents

The scope of delivery means the included accessories.

Lens hood
i

Lens hood

In photography, a lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare.

More information...


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Downloads

Brochure | 3.45 MB | English

Returns and warranty

Warranty 24 month Bring-in
30-day right of return
i

30-day right of return

A minimum of 10% will be deducted from opened products. Unfortunately, we cannot accept a product if it is damaged, incomplete or missing its original packaging.

Returns and warranty

Please use our simplified returns and warranty process to return a product or register a warranty case. Returns and warranty

Please use our simplified warranty process to view the warranty period as well as any warranty extensions you may have purchased. This will ensure that your return or warranty case is processed quickly and effectively.

Warranty services

Warranty extension

Warranty extension

The warranty is extended at the same conditions as the manufacturer warranty.

to 3 years CHF 29.90
to 5 years CHF 39.80

More information about warranty services

Insurance

All Risk

All Risk

Insure your device with allrisk by allianz against falls, impact, breakage, screen damage and damage caused by water or humidity. Improper use (call and data misuse) due to theft is also covered. With your purchase, you accept the general terms and conditions.

1 Year CHF 31.–
2 years CHF 53.–

Allgemeine Versicherungsbedingungen Allianz.PDF | 305.75 KB | GermanGeneral Insurance Conditions Allianz.PDF | 302.08 KB | EnglishConditions geneerales dassurance Allianz.PDF | 358.63 KB | FrenchCondizioni generali di assicurazione Allianz.PDF | 353.45 KB | Italian

Availability

Mail delivery

5 item(s) ready for delivery from our warehouse
Expected delivery date: The day after tomorrow 24.04.2018 if ordered by tomorrow 17:00

Collection

Basel

Ready for collection tomorrow at 13:10 if ordered by tomorrow 07:20.
5 item(s) at our central warehouse

Bern

Ready for collection tomorrow at 12:15 if ordered by tomorrow 05:45.
5 item(s) at our central warehouse

Dietikon

Ready for collection tomorrow at 14:30 if ordered by tomorrow 08:45.
5 item(s) at our central warehouse

Geneva

Ready for collection tomorrow at 13:30 if ordered by tomorrow 04:45.
5 item(s) at our central warehouse

Kriens

Ready for collection tomorrow at 12:00 if ordered by tomorrow 06:45.
5 item(s) at our central warehouse

Lausanne

Ready for collection tomorrow at 15:40 if ordered by tomorrow 05:45.
5 item(s) at our central warehouse

St Gallen

Ready for collection tomorrow at 15:30 if ordered by tomorrow 08:10.
5 item(s) at our central warehouse

Winterthur

Ready for collection tomorrow at 13:30 if ordered by tomorrow 08:10.
5 item(s) at our central warehouse

Wohlen

Ready for collection tomorrow at 11:00 if ordered by tomorrow 08:00.
5 item(s) at our central warehouse

Zurich

Ready for collection tomorrow at 12:30 if ordered by tomorrow 05:55.
5 item(s) at our central warehouse

PickMup

5 item(s) ready for delivery from our warehouse
Expected delivery date: The day after tomorrow 24.04.2018 if ordered by tomorrow 17:00 What is PickMup?

If ordered immediately.Information subject to change.

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Availability

Mail delivery

  • More than 10 piece(s)
    in our warehouse

Collection

  • Basel: Only 1 piece(s)
  • Bern: Only 2 piece(s)
  • Dietikon: Only 1 piece(s)
  • Geneva: Only 1 piece(s)
  • Kriens: Only 1 piece(s)
  • Lausanne: Only 1 piece(s)
  • St Gallen: Only 1 piece(s)
  • Winterthur: Only 2 piece(s)
  • Wohlen: Only 1 piece(s)
  • Zurich: Only 2 piece(s)

PickMup

If ordered immediately.
Information subject to change.

View details

+13

Various lens accessories

Hüfa Lens Cap Holder
CHF 19.–
Hüfa Lens Cap Holder
10

Availability

Mail delivery

  • More than 10 piece(s)
    in our warehouse

Collection

  • Basel: tomorrow at 13:10
  • Bern: tomorrow at 12:15
  • Dietikon: tomorrow at 14:30
  • Geneva: tomorrow at 13:30
  • Kriens: tomorrow at 12:00
  • Lausanne: tomorrow at 15:40
  • St Gallen: tomorrow at 15:30
  • Winterthur: tomorrow at 13:30
  • Wohlen: tomorrow at 11:00
  • Zurich: tomorrow at 12:30

PickMup

If ordered immediately.
Information subject to change.

View details

Hygiene + Cleaning products

Lenspen, Reinigungsstift
CHF 13.40
Hama Lenspen, Reinigungsstift
15

Availability

Mail delivery

  • More than 10 piece(s)
    in our warehouse

Collection

  • Basel: tomorrow at 13:10
  • Bern: tomorrow at 12:15
  • Dietikon: tomorrow at 14:30
  • Geneva: tomorrow at 13:30
  • Kriens: tomorrow at 12:00
  • Lausanne: Only 1 piece(s)
  • St Gallen: tomorrow at 15:30
  • Winterthur: tomorrow at 13:30
  • Wohlen: tomorrow at 11:00
  • Zurich: tomorrow at 12:30

PickMup

If ordered immediately.
Information subject to change.

View details

+4

Customer questions and answers

The 2 most helpful customer questions

User arnold_walkerag

Funktioniert der Autofokus wenn dieses Objektiv auf der Nikon D5500 verwendet wird? oder gibt es Einschränckungen bei der verwendung bei dieser Kamera?

30.01.2018
2 answers
User marcevange
Accepted answer

Hallo, Ich habe zwar die Nikon D5300, aber das wird hierbei keinen Unterschied machen. Das Objektiv funktioniert einwandfrei, inklusive dem Autofokus. Kann ich nur empfehlen.

30.01.2018
User daniel.santoni

Kennt jemand das Tokina 11-20 und könnte Infos/Feedback dazu geben, ob nebst dem Zoom sonst noch Unterschiede bestehen? (Qualität, Farben, Schärfe etc.).?

25.01.2017
2 answers
User Thomas45
Accepted answer

Noch ein Link-Tipp: auf "dpreview.com/products/compa..." kannst du die Objektive gut vergleichen (ist auch sonst eine sehr gute Seite).

26.01.2017

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Customer ratings

Overall rating

Avg. 4.8 of 5 stars


The 3 most useful ratings

User Kingdominus
AT-X 116 PRO DX II, 11-16mm, f/2.8, Nikon

Geniales Objektiv, grossen Winkel und wenig distor...

Geniales Objektiv, grossen Winkel und wenig distortion und CA für ein 11-16mm. Ebenfalls der Autofocus funktioniert mehrheitlich gut und leise. Man kann auch einen pol. filter vorne drauf packen ohne grössere Unebenheiten zu sehen zB. im Himmel.

Alles in allem sehr zufrieden.


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30.07.2014
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User tomislavku
AT-X 116 PRO DX II, 11-16mm, f/2.8, Nikon

Sehr emfpehlenswert

Ein hervorragendes Objektiv zu einem sensationellen Preis. Überragende Schärfe in der Mitte und auch an den Rändern/Ecken bereits ab Blende 4 an einer Nikon D7200. Die Verzeichnungen sind gering für diese Objektivklasse und gut in Adobe Lightroom korrigierbar. Chromatische Aberrationen sind geradezu gigantisch, jedoch auch diese verschwinden nach einer Korrektur in LR fast vollständig. Ab Blende 7.1 und 16mm ist das Objektiv sogar an einer Vollformatkamera (Nikon D750) uneingeschränkt verwendbar und die Schärfe ist auch am Vollformat bis zu den Rändern gut, sofern abgeblendet. Lediglich bei Gegenlicht ist Vorsicht geboten. Diesbezüglich sind jedoch alle mir bekannten Super-WW sehr empfindlich. Die Verarbeitungsqualität ist auf einem sehr hohem Niveau.more


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03.09.2016
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User manuel.rohner
AT-X 116 PRO DX II, 11-16mm, f/2.8, Nikon

Langzeiterfahrung Tokina 11-16mm

Ich habe das Tokina lange Zeit extrem geschätzt und ebenso fest gelobt. Nach mehr als 2 Jahren intensiver Arbeit mit dem Tokina weiss ich so manches über seine Stärken und Schwächen zu berichten.
Das Glas ist auf meinem DX Sensor so verdammt gut, dass es meine anderen 2 Landschaftsobjektive dauerhaft in den Schatten gestellt hat. Mittlerweile hab ich die anderen 2 Gläser in rente geschickt und einem Secondhandshop verkauft.
Was macht das Tokina zum idealen Objektiv vor meinem DX Sensor?
Es ist ein Glas mit hervorragendem Preisleistungsverhältnis: Eine 2.8er Offenblende, die in der Nacht keine Wünsche offen lässt, und ebenso am Tag zwischen Blende 8 und 11 scharf genug für meine Einsatzzwecke. Auch auf Städtetrips war es ab und zu dabei, aber vorallem hab ich das Tokina auf dem Stativ in der Natur draussen benutzt, und es hat mich nie im Stich gelassen.
Warum geb ich dann nur 3 Sterne?
Mit der Haptik schauts weniger Rosig aus. Die Gegenlichtblende ist extrem fummelig und teilweise nur unter Kraftaufwand abnehmbar. Inzwischen hat der Kunstoffring mit dem angebrachten Filtergewinde zu wackeln begonnen und auch der Fokusring läuft nicht mehr spielfrei. Der Zoomring ist (in meinen Augen) zu leichtgängig und verstellt sich zumindest bei mir immer wider.
Wenn ich das Tokina mal kaputt mache, kauf ich mir das selbe nocheinmal?
Wenn ich nicht wider eins mit wackelndem Filtergewinde erwische, überleg ichs mir. Aber ich nehme an, dass das Tokina noch einige Jahre hält und schlussendlich durch eine Vollformatoptik ersetzt wird.
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11.07.2017
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Tokina AT-X 116 PRO DX II, 11-16mm, f/2.8, Nikon Tokina AT-X 116 PRO DX II, 11-16mm, f/2.8, Nikon