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Sigma 18-200mm f/3,5-6,3 DC Makro OS HSM [C], Canon Actual product image
CHF 347.–

Sigma 18-200mm f/3,5-6,3 DC Makro OS HSM [C], Canon

Description

The new 18-200mm is now part of the C-Contemporary product line and, with its entry-level equipment for digital SLR cameras, is used for numerous areas of photography.

< font color= "#ffff00" > -==- proudly presents

perfect entry level equipment
from wide angle to telephoto range
suitable for macro photography
optical image stabilizer (OS)
High-speed Hyper Sonic Motor (HSM)
high optical performance

the popular all-round zoom lens 18-200mm has been completely redesigned to meet the standard of the new product line C-Contemporary.
With this lens you have the perfect starter kit for digital SLR cameras and are well prepared for many areas of photography. It offers you a variety of different image angles, from wide angle to telephoto (18-200mm - equivalent 27-300mm in 35mm KB format) and also covers the macro range.
The OS (Optical Stabilizer) and the fast HSM (Hyper Sonic Motor) make for even more comfort when shooting close-up, indoor and night-exhaust fan mounts from the palm of your hand.

It incorporates the latest technologies, which makes it a standard zoom lens of the latest generation.
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Specifications

Key specifications

Minimum focus distance39 cm
AutofocusYes
Image stabilizationYes
Sensor compatibilityAPS-C / DX

General information

Manufacturer Sigma
Product type Lenses
Item number2577017
Manufacturer no.885954
Release date01.06.2014

Colour

Colour group
Black

Camera lens properties

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Camera lens properties

A camera lens (also known as photographic lens, objective lens or photographic objective) is an optical lens or assembly of lenses used in conjunction with a camera body and mechanism to make images of objects either on photographic film or on other media capable of storing an image chemically or electronically.
While in principle a simple convex lens will suffice, in practice a compound lens made up of a number of optical lens elements is required to correct (as much as possible) the many optical aberrations that arise. Some aberrations will be present in any lens system. It is the job of the lens designer to balance these out and produce a design that is suitable for photographic use and possibly mass production.
A lens may be permanently fixed to a camera, or it may be interchangeable with lenses of different focal lengths, apertures, and other properties.

More information...

Lens type
i

Lens type

With photo lenses, a further distinction is made according to the angle of view which determines the focal length for a given image format.

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Normal Lens
,
Telephoto lens
i

Telephoto lens

In photography and cinematography, a telephoto lens is a specific type of a long-focus lens in which the physical length of the lens is shorter than the focal length. This is achieved by incorporating a special lens group known as a telephoto group that extends the light path to create a long-focus lens in a much shorter overall design. The angle of view and other effects of long-focus lenses are the same for telephoto lenses of the same specified focal length. Long-focal-length lenses are often informally referred to as telephoto lenses although this is technically incorrect: a telephoto lens specifically incorporates the telephoto group.

More information...

,
Wide angle lens
i

Wide angle lens

In photography and cinematography, a wide-angle lens refers to a lens whose focal length is substantially smaller than the focal length of a normal lens for a given film plane. This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior and landscape photography where the photographer may not be able to move farther from the scene to photograph it.

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,
Super zoom lens
i

Super zoom lens

The term superzoom or hyperzoom refers to photographic zoom lenses with unconventionally large focal length factors, typically more than 5× or even ranging beyond 15×.

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Lens mount
i

Lens mount

A lens mount is an interface — mechanical and often also electrical — between a photographic camera body and a lens. It is confined to cameras where the body allows interchangeable lenses, most usually the single lens reflex type or any movie camera of 16 mm or higher gauge. Lens mounts are also used to connect optical components in instrumentation that may not involve a camera, such as the modular components used in optical laboratory prototyping which join via C-mount or T-mount elements.

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Canon EF-S
Focal length
i

Focal length

The focal length of an optical system is a measure of how strongly it converges (focuses) or diverges (diffuses) light. A system with a shorter focal length has greater optical power than one with a long focal length.

More information...

18 - 200 mm
Focal Length APS-C / DX (35mm film equivalent)
i

Focal Length APS-C / DX (35mm film equivalent)

In photography, the 35 mm equivalent focal length is a measure that indicates the angle of view of a particular combination of a camera lens and film or sensor size. The term is useful because most photographers experienced with interchangeable lenses are most familiar with the 35 mm film format.

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28.80 - 320 mm
Sensor compatibility
APS-C / DX
Number of diaphragm blades
7 x
Filter thread
i

Filter thread

A filter thread is a connecting thread of photo and video lenses for optical filters. This thread is usually located on the front just before the front lens. Most lenses have a separate mount for lens hoods.

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62 mm
Number of lenses
i

Number of lenses

A lens is an optical device which transmits and refracts light, converging or diverging the beam.

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16
Number of lens groups
i

Number of lens groups

Specifies how many groups the lenses are divided into.

13
Zoom function
i

Zoom function

The device has a zoom function.

Yes
Optical zoom
i

Optical zoom

A zoom lens is a mechanical assembly of lens elements with the ability to vary its focal length (and thus angle of view), as opposed to a fixed focal length (FFL) lens.

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11.10 x
Image stabilization
i

Image stabilization

Image stabilization (IS) is a family of techniques used to reduce blurring associated with the motion of a camera during exposure. Specifically, it compensates for pan and tilt (angular movement, equivalent to yaw and pitch) of a camera or other imaging device. It is used in image-stabilized binoculars, still and video cameras, and astronomical telescopes. With still cameras, camera shake is particularly problematic at slow shutter speeds or with long focal length (telephoto) lenses. With video cameras, camera shake causes visible frame-to-frame jitter in the recorded video. In astronomy, the problem of lens-shake is added to by variations in the atmosphere over time, which cause the apparent positions of objects to change.

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Yes
Image stabilization method
i

Image stabilization method

There are three methods of image stabilization, each of which is offered by the photographic industry under proprietary names. Optical image stabilization, mechanical image stabilization or electronic image stabilization.

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Visual
Fixed front lens
Yes
Internal focusing
i

Internal focusing

Internal focusing, abbreviated IF, is a type of lens design in which the distance is not adjusted by shifting the entire lens, but only one or more lenses within the lens. The remaining lenses, especially the front lens, maintain their distance from the image capture plane (filament net, film or image sensor), which does not change the overall length of the lens.

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Yes

Focusing

i

Focusing

In geometrical optics, a focus, also called an image point, is the point where light rays originating from a point on the object converge. Although the focus is conceptually a point, physically the focus has a spatial extent, called the blur circle. This non-ideal focusing may be caused by aberrations of the imaging optics. In the absence of significant aberrations, the smallest possible blur circle is the Airy disc, which is caused by diffraction from the optical system's aperture. Aberrations tend to get worse as the aperture diameter increases, while the Airy circle is smallest for large apertures.

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Autofocus
i

Autofocus

Autofocus (or AF) is a feature of some optical systems that allows them to obtain (and in some systems to also continuously maintain) correct focus on a subject, instead of requiring the operator to adjust focus manually.

More information...

Yes
Manual focus
i

Manual focus

It is possible to focus manually. The autofocus is therefore not used.

Yes
Minimum focus distance
i

Minimum focus distance

The shortest distance supported.

39 cm

Diaphgragm properties

i

Diaphgragm properties

In optics, a diaphragm is a thin opaque structure with an opening (aperture) at its center. The role of the diaphragm is to stop the passage of light, except for the light passing through the aperture.

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Minimum aperture f/
i

Minimum aperture f/

In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture of an optical system is the opening that determines the cone angle of a bundle of rays that come to a focus in the image plane. The aperture determines how collimated the admitted rays are, which is of great importance for the appearance at the image plane. If an aperture is narrow, then highly collimated rays are admitted, resulting in a sharp focus at the image plane. If an aperture is wide, then uncollimated rays are admitted, resulting in a sharp focus only for rays with a certain focal length. This means that a wide aperture results in an image that is sharp around what the lens is focusing on and blurred otherwise. The aperture also determines how many of the incoming rays are actually admitted and thus how much light reaches the image plane (the narrower the aperture, the darker the image for a given exposure time).

More information...

22 x
Maximum aperture f/
i

Maximum aperture f/

In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture of an optical system is the opening that determines the cone angle of a bundle of rays that come to a focus in the image plane. The aperture determines how collimated the admitted rays are, which is of great importance for the appearance at the image plane. If an aperture is narrow, then highly collimated rays are admitted, resulting in a sharp focus at the image plane. If an aperture is wide, then uncollimated rays are admitted, resulting in a sharp focus only for rays with a certain focal length. This means that a wide aperture results in an image that is sharp around what the lens is focusing on and blurred otherwise. The aperture also determines how many of the incoming rays are actually admitted and thus how much light reaches the image plane (the narrower the aperture, the darker the image for a given exposure time).

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3.50 - 6.30 x

Product dimensions

i

Product dimensions

Physical size of an object

Diameter
7.07 cm
Weight
0.43 kg
Length
8.60 cm

Properties

Durability
i

Durability

The resistance of a product against outer physical influence (like water, fire, shocks).

Metal mount
i

Metal mount

The Lens mount is made of metal.

More information...

Delivery contents
i

Delivery contents

The scope of delivery means the included accessories.

Lens hood
i

Lens hood

In photography, a lens hood or lens shade is a device used on the end of a lens to block the sun or other light source in order to prevent glare and lens flare.

More information...


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Returns and warranty

Dead on arrival (DOA) 10 Days Bring-in
Warranty 30 Years Bring-in
Out-of-warranty repairs Available for a fee.
30-day right of return
i

30-day right of return

Unfortunately, we cannot accept a product if it is damaged, incomplete or missing its original packaging.

Returns and warranty

Please use our simplified returns and warranty process to return a product or register a warranty case. Returns and warranty

Please use our simplified warranty process to view the warranty period as well as any warranty extensions you may have purchased. This will ensure that your return or warranty case is processed quickly and effectively.

Insurance

All Risk

All Risk

Insure your device with allrisk by allianz against falls, impact, breakage, screen damage and damage caused by water or humidity. Improper use (call and data misuse) due to theft is also covered. With your purchase, you accept the general terms and conditions.

1 Year CHF 31.–
2 years CHF 53.–

Allgemeine Versicherungsbedingungen Allianz.PDF | 305.75 KB | GermanGeneral Insurance Conditions Allianz.PDF | 302.08 KB | EnglishConditions geneerales dassurance Allianz.PDF | 358.63 KB | FrenchCondizioni generali di assicurazione Allianz.PDF | 353.45 KB | Italian

Test reports

85%

Average rating 85%
Number of test reports 4

77%
Stiftung Warentest
Rank 7 out of 17
Test score 2,3 - gut
i

Notice

The test reports shown here are provided by an external source. We have no influence on the product ratings.

Stiftung Warentest Logo

Edition 03/2016 - Sigma präsentiert hier ein gutes Objektiv, das gerade im Bereich Bildqualität kaum Schwächen zeigt. In fast allen Teilbereichen erhält das Modell gute Bewertungen. Für die exzellenten Ergebnisse bei Falschlicht gibt es sogar die Note ?Sehr gut?. Lediglich die Bildstabilisierung fällt etwas ab, aber schlecht ist diese ebenfalls nicht. Etwas schwächer schneidet das Gerät bei der Handhabung ab, was vor allem auf das Konto der unterdurchschnittlichen Geschwindigkeit geht. Ansonsten kann man aber kaum wirkliche Kritikpunkte finden, weshalb das gute Gesamturteil verdient ist.

Go to complete test report
88%
Color Foto Single test
Test score 60,5 von 100 Punkten (3 Pkt. unter Durchschnitt)
i

Notice

The test reports shown here are provided by an external source. We have no influence on the product ratings.

Color Foto Logo

Edition 07/2014- Ein fairer Preis mit einer guten Arbeitsleistung, die zwar keinerlei top Werte erreicht aber auch keine Riesen-Einbrüche hinnehmen muss. Als Zoomobjektiv macht das Sigma einen guten Job und könnte bei der Auflösung in der Bildmitte allerdings bessere Werte liefern.

82%
Foto Magazin Single test
Test score 3 von 5 Sternen - gut
i

Notice

The test reports shown here are provided by an external source. We have no influence on the product ratings.

Foto Magazin Logo

Edition 07/2014- Das Sigma ist sehr gut verarbeitet und macht insgesamt einen guten Job, wobei die Verzeichnung über den gesamten Arbeitsraum deutlich zu erkennen ist. Dennoch überzeugt die Leistung mit einer konstanten Auflösung sowie einem sehr guten Streulichtschutz.

Availability

Mail delivery/Collection

Product is not ready for sale or temporarily not available. No delivery date known.
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The delivery date is unknown or there is currently no information available. Please enter your e-mail address above if you wish to be notified when the product will be available again. An enquiry with our suppliers usually takes 1–3 days. You will automatically receive a notification regarding the next possible delivery day.

Information subject to change.

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Collection

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PickMup

If ordered immediately.
Information subject to change.

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+4

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  • Wohlen: today at 11:00
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If ordered immediately.
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Hygiene + Cleaning products

Camera cleaning

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Availability

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    in our warehouse

Collection

  • Basel: today at 12:30
  • Bern: today at 12:00
  • Dietikon: today at 13:30
  • Geneva: today at 14:00
  • Kriens: today at 13:00
  • Lausanne: today at 12:30
  • St Gallen: today at 13:00
  • Winterthur: today at 12:00
  • Wohlen: today at 11:00
  • Zurich: today at 12:15

PickMup

If ordered immediately.
Information subject to change.

View details

+2

Customer questions and answers

The 3 most helpful customer questions


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Customer ratings

Overall rating

Avg. 4.5 of 5 stars


The 3 most useful ratings

User digitec_mmue
18-200mm f/3,5-6,3 DC Makro OS HSM [C], Canon

Ein neuer Standard in der Superzoomklasse

Meine Erfahrung mit Sigma-Objektiven war leider so, dass ich mir einmal geschworen hatte: Nie wieder Sigma. Nach vielen Recherchen zu einem kompakten und universellen Ferienzoom zu meiner 70D bin ich dann aber immer wieder bei diesem 18-200er hängen geblieben (wichtig: C-Version). Da mit dem Preis von 349.- ein allfälliges Fehlkaufrisiko klein war, kaufte ich es. Doch nun liegt ein äussert kompaktes, gut verarbeitetes, leichtes Ferienzoom vor mir, das mit einem wirksamen Stabilisator und schnellem Ultraschallfokus ausgestattet ist. Bei voller Blendenöffnung findet man, wenn man Pixel peept, am WW-Rand etwas Unschärfen und auch Farbsäume, besser wird es bei Abblendung. Im Telebereich ist das Objektiv schon voll geöffnet unerwartet scharf. Die gut 1000 Bilder aus dem Urlaub machen mich happy. Sogar Innenaufnahmen von Kirchen sind absolut beeindruckend geworden. Fazit: Gutes und praktische Objektiv für die Ferien. Harmoniert super mit der 70D.more


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24.04.2015
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User ipaulsen
18-200mm f/3,5-6,3 DC Makro OS HSM [C], Canon

Ideales Reisezoom, das zwar etwas schwergängi...

Ideales Reisezoom, das zwar etwas schwergängiger ist als vergleichbare Canon-Objektive, aber dafür sehr kompakt und leicht ist, mit schnellem Autofocus und guter Bildqualität. Bin mit dem Objektiv bisher sehr zufrieden.


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20.08.2014
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User alain.rouiller
18-200mm f/3,5-6,3 DC Makro OS HSM [C], Canon

Très bon zoom idéal pour les déplacements

Zoom idéale pour les déplacements, en particulier pour les photos de paysages ou de gros plans lors de mes randonnées pédestres. En ville, il permet de saisir des scènes inattendues avec une qualité.
Il permet de couvrir une large game d'objectif tout en étant compact et pas trop lourd
Ce modèle est une amélioration par rapport au précédent avec une fonction de stabilisation de l'image.
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08.03.2016
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Sigma 18-200mm f/3,5-6,3 DC Makro OS HSM [C], Canon Sigma 18-200mm f/3,5-6,3 DC Makro OS HSM [C], Canon